Friday, July 19, 2013

San Francisco Telephoto Landscapes...

Week two of our vacation in the US and it's time for some travel. San Francisco has always been a favorite destination of mine but our last visit was about 5 years ago; now the kids Johan 19 and Kristina 18 are interested in revisiting the city. But I have a hard time photographing when the family is sitting in the car or standing on the sidewalk waiting for me. So I went awol while they were shopping and headed back to the harbor area to see if I could get any pictures of the sunset.
As beautiful as San Francisco is, it's tough to take pictures that haven't been taken 10,000 times before and now become cliché, so for a slightly different perspective I tried using my 300mm f/2.8 and 100-400L  to take some landscape images. As the sun disappeared behind the mountains the sky took on shades of gold, pink and lavender providing a fantastic background for the various monuments.
The following four images were all taken from the same vantage point, another great thing about telephoto landscapes, the ability to get close to subjects that are miles apart. It saved me a lot of travel time and I wasn't limited to a single subject.

Alcatraz at sunset 300mm f/2.8
Coit Tower at sunset 200mm 100-400L
Coast Guard patrolling at sunset 300mm f/2.8
SF Harbor 11 shot panorama at sunset 300mm f/2.8

This shot was taken on a different day of course but with the same idea, using telephoto to capture a slightly different perspective. Taken from the viewing area on the north side of the Bay.
Golden Gate from the North 135mm 100-400L

Thursday, July 4, 2013

July 4th - The San Diego Big Bay Boom

Three weeks and thousands of pictures during vacation in California, but no time to do any blogging. But now I feel compelled to do a post since these shots are from the 4th of July, and are probably of limited interest the rest of the year. One of my objectives with our summer visit to San Diego was to photograph the San Diego skyline with fireworks in the foreground, and after scouting the various vantage points we finally found a decent location and set up a couple of hours before the show.

Firework photography is relatively simple:
  1. Find a good location with fireworks in the foreground and an interesting background.
  2.  Put your camera on a sturdy tripod
  3. Turn off autofocus and image-stabilization
  4. Use a remoter shutter release.
  5. Choose a lens that allows you to fill a lot of the frame with fireworks.
  6. Use the lowest ISO (100-200) to avoid the fireworks over-exposing.
  7. Use f/8 and 30 sec exposure or B
 And now you need to experiment, if you simply leave the shutter open for thirty seconds the firework will become a runny mess, as it grows and then falls again. Some photographers expose for only a couple of seconds, but this leaves you with a properly exposed firework, but a very dark background. So one trick is to shoot in B mode and then have something to cover the lens with during the exposure, so that you can limit the firework exposure to a couple of seconds. So you might begin your exposure before a firework is even shot up, and then when the firework explodes you cover the lens after about 1-2 seconds. Keep the lens covered until the firework disappears and then uncover the lens allowing you to expose for the background or multiple fireworks. 30 seconds total uncovered exposure time works well for dark backgrounds.

Here are a few examples of my shots for the San Diego Big Bay Boom, and 18 minute computer driven pyrotechnics show that was shot up simultaneously on 4 floating barges in San Diego Harbor. The producers Garden State Fireworks more than made up for last years mishap where all the fireworks intended for a 16 minute show went off in 15 seconds

20 sec f/8 iso100
23 sec f/8 iso 100
51 sec f/8 iso 100

26 sec f/8 iso 100
And here comes a shot before the fireworks. If you compare with the last firework photo you might notice that most of the city is obscured by smoke. So your best chance for good shots will be at the beginning of the fireworks.

In these shots I used the 100-400 during the initial shots, before the smoke covered the city, then I used the 24-105 IS/L and used the entire range, to avoid having 20 firework shots with the same background.

And below we have an even earlier shot of the aircraft carrier the US Midway, a museum ship in San Diego harbor, which offered another great vantage point to view the fireworks, but without the city skyline as a background.